March 8, 2009

Roustabouts

It was at the end of a long day of mucking sludge from the inside of an oil tank with a shovel-headed pole and a hose that we scared up the gopher that ran beneath the bucket of the backhoe — the wide one in front with roughly the dimensions of a coffin that resembles the bulldozing apparatus of a bulldozer. The front bucket of the backhoe was resting, turned downward into the dirt, when the gopher ran under it, so it must have been a gigantic chamber to him, looming and dark, though certainly safer than the outside world from which he had escaped, in which rocks as large as his body hurtled toward him from the hands of my coworkers, who aimed to cripple and kill. We all had our hardhats and safety glasses on, plus t-shirts with their sleeves torn off to expose our tan arm muscles, blue jeans, steel-toed boots, all slimed with mud and oil. My fingers were cut and gouged from slips of wrenches and I kicked around at the edge of the well site waiting for the gopher to outsmart them and flee into the protection of the surrounding desert so we could go home. I wasn’t in a hurry to leave — the desert was as good as any other place I had to be, plus the sky was an impressive shade of gray — but my role as outcast appeared all the more defined during these attempted animal slayings, as it did when anyone talked about race or immigration or homosexuals or politics or women. The only person on our crew other than myself who was profitably killing time between college semesters was David, a geo-engineering student at the University of Wyoming who affected a Southern accent when he said things like, “Niggers get no pity from me.” His father was also a racist engineer and had gotten David this job through his connections at Chevron, although it’s unclear why anyone would need connections to get this job. David was skinny and somehow seemed dumber than everyone else on our crew, but it’s likely he had some sort of slow intelligence that would suit him perfectly for driving around on dirt roads from oil well to oil well, monitoring their gauges, napping atop plateaus in his truck, and condescendingly telling the roustabout crews what was going wrong so we could fix it. There were several of these people working in our field and they fawned over David when they found he was being groomed as one of their own, but their enthusiasm for him faded as the summer went along and his lack of contribution to lunchtime banter grew increasingly conspicuous. Idle chat fills the oil field’s long days, and David just never had much to say.

The front bucket of a backhoe is as heavy as any huge boulder a gopher could run under, but decidedly inferior cover, as it can be lifted with the easy pull of a lever to expose all that’s underneath. Jeff, the lead rodent-killer of our pack, whose poor aim with a stone did nothing to damper his excitement at the prospect of murder when any small fauna appeared in our midst, was quick to realize the inadequacies of the gopher’s hiding place and was outwardly proud of his plan to exploit it: “Chris,” he said, “get up in the backhoe and lift the bucket up.” He laid out the script for the second act wordlessly by picking up a football-sized chunk of sandstone. Chris, an Alabama native with whom I shared a similar adolescence as a small-town punk rocker and thus got along with pretty well, despite his insistence to refer to me as Napoleon after Jeff had pointed out that my poofy brown hair bore resemblance to the indie-film antihero’s, was quick and happy to oblige. He hopped in the backhoe’s cab and maneuvered the bucket, still pointed downward and looking from the side like the appendage of a praying mantis, eight feet into the air. I could imagine the gopher’s surprise at having his sturdy cave lifted from above him, a grim sky and the figure of Jeff’s aggressive frame replacing it. So great was his terror that when Jeff’s first effort to spike the rock onto his spine failed on account of poor aim he did not run away from the puff of dust that had erupted a foot to his left. An embarrassed fury welled in Jeff as he scooped the rock up for another shot and brought it down powerfully on its mark. Something broke in the gopher’s back and it propelled itself around in circles with its still-functioning hind legs, its limp forward torso acting as a pivot point in the dirt. Jeff, a 220-pound ex-Marine from Florida with a shaved head and a bully’s smile began to jump up and down like a cartoon ape, landing his thick boot soles on top of the screaming animal. Aaron, a genuinely smart and slightly teddy-bearish person who in partnership with Jeff oversaw our crew, stood with his arms crossed looking amused and parental. David egged Jeff on with the shrill yeahs and fist-pumps of a weakling who backs the stronger boy in a fistfight out of self-interest. I looked on in nonchalant amazement, and in the cab of the backhoe Chris reeled with howls of glee and accidentally bumped the lever that controlled the front bucket and brought all 800 pounds of it crushing down across Jeff’s back. He flattened to the ground like hot syrup splashing onto a pancake. The back half of the dead gopher stuck out from under his leg, which was spread-eagled along with the rest of his limbs. Thoughts of what to do in the event of Jeff’s death reeled through everyone’s heads until he rolled onto his side and began moaning, proving he was still alive. I wandered out into the sagebrush, staring at the sky, my path a shallow arc.

March 3, 2009

On the fistfight

I have a strange obsession with fistfights. It comes from my being bullied throughout junior high and loathing myself for not standing up to the kids who picked on me, then feeling the wonderful rush of it all after I reached high school and started to fight back. I found that I had sort of a knack for it, and I’ve since held on to that as a proud part of my identity, although I must admit that I’m probably much softer now than I was then.

Hardly an instance passes when I take a long walk in the city and something I see doesn’t flip a switch in my brain and start it reeling into daydreams — some more elaborate than others — in which an aggressor enters my midst and I am obliged to defend myself or someone else by bludgeoning him with my appendages. I imagine all sorts of variations to the initial scene, in depth and with emotion, and before I know it I’m seven blocks further along than I was. These are the things that happen in my head.

I’ve isolated two rational, almost conflicting personal perspectives on fistfights. The first is that they are a totally pointless and therefore a shameful waste of energy and misdirection of rage. I’m reminded of some Dead Prez lyrics: “You talkin’ ‘bout niggaz hatin’ on you. I’ll tell you who really be hatin’ on you: The motherfuckin’ police and the judge and the DA be hatin’ on you, nigga.”

I’m interested in violence and how it can be used constructively, and therefore I think of it often in political terms. Violence can be used constructively by freedom fighters who overthrow oppressive governments and liberate those who were previously persecuted. Violent acts can create focal points that draw the public gaze to an unjust institution, as when a militant group bombs a symbol of that organization and can communicate its rationale for the attack to the people, thus exposing the injustice. When I think of two drunk construction workers clutched in mutual brutish embrace rolling around on the floor of a bar, sweating and struggling and pawing at each other in the throes of a physical altercation, I can only think: “No, boys. Direct your anger at the State!” As long as imperialist governments are acting in tandem with multinational corporations to reap profit at the expense of and maintain power over the Third World and the international proletariat while denying the people the chance to pursue any life that is not bogged down by the tedious chase of capital, part of me thinks there is absolutely no excuse for the average person to engage in fisticuffs. Why not throw your shoe at a president instead?

On the other hand, the real possibility of an asskicking can work wonders for smartypantses and rich kids to keep them from feeling too superior (although it may be much more effective for the former — as my friend always says, “Never beat up a rich kid, because he’ll hit you with his lawyer”). I might be, according to any number of select criteria, simply and objectively better than hundreds of thousands of people. I might be smarter, savvier, more compassionate, more ethical, a better friend and son, drive a cooler car and fuck hotter lovers than what could amount to the population of an entire metropolis, but I know in my heart that, given the right circumstances, a terrifyingly large number of those people could beat the living shit out of me and there would be absolutely nothing I could do about it. I try to remember this, and when I do, it humbles me.

There will be a part of me deeply saddened if I go through the rest of my life without getting in another fistfight. I am neither a domestic terrorist nor an urban guerilla, nor do I have any idea of how to go about becoming one. I have no plans of becoming a police officer or joining the army, but I remember the pure rush of life that comes with the immediate threat of violence and the urgency to exert violence back. So, as dumb and wasteful as they may be, fistfights are really my only option.

It has been nearly five years since I got into what I would consider a real fight. I was on a porch at a college house party late at night and made a loud comment toward some of my friends who were running naked down the street. A young man leaving a party next door misunderstood me and thought I was directing an insult at him. The surliness with which he approached me in response to what had appeared to him an affront did little to persuade me to bother explaining the whole thing. There was also an underlying tension to begin with between the house he was coming from, which often hosted parties for lacrosse players and other swarthy jock types, and the house I was at, which had been christened “the Gangsta House,” because its residents were all gay and seemed constantly troubled by angst.

Some words were exchanged between the young man and myself. He reached back and in what almost seemed like slow motion swung a roundhouse right fist at my head. I leaned back to dodge the blow easily, cracked him in the face with the thick-bottomed bourbon glass I had in my hand, threw him onto the hood of a car and was about to commence pummeling when three of his friends accosted me from behind. I fell to the ground, but not without taking one of them with me. I remembered some advice once given to me by my brother, who went to West Point and actually took college classes in hand-to-hand combat: “The last thing you want,” he said, “if for a guy to straddle on top of you and start wailing on you. What you do in that situation is reach up and grab the guy by the front of his shirt, pull him down close to you, then roll him over and get on top of him.” I executed two thirds of this tactic — the grabbing of the guy and the pulling him down, so his face was right next to mine — when I realized I had probably gone far enough because the guy’s friends were attempting to kick me in the head but more often than not landed their shoes square on their buddy’s cheeks. By that time people were crowding around and, my friends at that particular place not being the type to jump into a brawl on my behalf, the situation diffused after a couple seconds and nobody really got hurt.

I long for the fistfight at the same time I loathe it, and cannot help romanticizing the times I’ve spent with it. Maybe it’s a guilty pleasure, or a childish nostalgia that would be utterly foolish of me to recreate. I imagine myself somewhere in my forties, just having divorced whatever wife I had at the time, suffering the gastric acids in the belly of some career I hate, and rather than go down to the dealership and buy a sports car or some hunking fast motorcyle to relive my youth and fulfill my mid-life crisis, I will head back to Wyoming, where fistfights are practically still legal, find a mildly tough oilfield hand and badger him until he kicks my ass.

February 28, 2009

There are a few reason why I think I would enjoy living in Los Angeles. FAMILY bookstore is one of them.

Family
Los Angeles, CA 90036
323-782-9221
www.familylosangeles.com

(This article originally appeared on STOP SMILING Online)

The owners of Family bookstore in Los Angeles curate their inventory according to a strict standard of awesomeness: Each hand-picked item must abide by select criteria to earn placement on the store’s shelves: “The book itself has to be an elegant object,” says Family co-owner David Jacob Kramer. “Even if there’s an author I really like, and I think should be in the store, if their book cover is really pedestrian and thoughtless, then I don’t want to carry it. I really believe that the form that literature comes in is just as important as the content. The form is the content.”

Family began in late 2006 after three Australian transplants — Kramer, Sammy Harkham and his wife, Tahli — rented a storefront on Fairfax Avenue and transformed it into something of a tribute to their adolescent selves.

“We have a lot of in-store shows here,” Kramer says, “and when we were teenagers those were the only shows we could go to. And just the experience as a teenager of going into a record or bookstore, you were discovering stuff that would radically change your perception of the world.”

Family events are not meant to sell books as much as generate an element of energy and excitement about the space. “You want the place to be alive,” Kramer says, “something that lives and breathes, not just a place where people come to buy stuff.”

Their traditional literary happenings, which have included a reading series curated by LA author Trinie Dalton and a number of events in conjunction with McSweeney’s, fit seamlessly into a docket of events alongside concerts by groups like No Age and Ariel Pink. Family also works in tandem with the Hope Gallery for art exhibitions, and with the Silent Movie Theatre, where Kramer and Harkham program the film series CineFamily.

While the old warhorses of the book business wring their hands trying to come up with solutions to save print publishing in the era of the Web, the Family staff, from top to bottom, is native to the Internet age. “The Internet has really made a store like ours possible,” Kramer says, “because with it you can discover a publisher in Switzerland or a publisher in Japan, you can email them out of the blue, put in your order, PayPal them their money and a week later you have these books, and you’re the only stockers in America. Fifty years ago you would have to go to Switzerland and stumble into this store, but now you can find it on the Internet and get an order into your store in a week.”

Among the international rarities Family offers are selections from Nieves, a Swiss publisher of art books and zines like The Times they are the Changes and Chapter 3, as well as mono.kultur, a handsome interview zine from Berlin, and There Stands the Glass from Australia’s Serps Press. Other books that are particularly emblematic of the Family vision include the new two-volume Gary Panter retrospective, photographer Peter Sutherland’s Muddy Treads, conceptual artist Lawrence Winer’s children’s book Something to Put Something On, Ian Svenonius’ The Psychic Soviet and Emmett Grogan’s autobiography, Ringolevio. Each of these books is a complete unit: aesthetically astute, well conceived and highly conceptualized. As long as books are “elegant objects,” Kramer says, they will remain irreplaceable by an electronic screen.

The undertaking of opening Family has already fulfilled the hopes of its founders; they have been able to stay in business without compromising their curatorial vision.

“I was so terrified before we opened,” Kramer says, “because the idea of the store — the concept of it — was kind of novel. I’d never really seen a store with this idea, so I didn’t know if it was even feasible. But we opened, and we’re still open. Not only that, but the stuff that sells well is the stuff we really love. It was gratifying to see that, and it meant that we could really go for it and indulge ourselves. We have a lot of people working here now, and it’s all kind of just us kids doing it. So as long as we can stay afloat, I’m pretty proud of ourselves.”

02

February 14, 2009

Letters to a young Nigerian

I received an email the other day from someone who had hacked into my friend Rollin Hunt‘s Hotmail account and sent a message to his entire contact list asking them to wire money to Africa on behalf of his sick sister. I was pretty sure Rollin didn’t have a sister (apparently, I find, he does), but regardless was pretty sure that Rollin was not in Africa, but down the street from me, in his house, where he usually is. I decided to have a bit of a chat with the person who hacked his account, and what follows in the transcript from that exchange:

On Mon, Jan 26, 2009 at 6:26 AM, Rollin Hunt wrote:

Hello
How are you doing today? Fine I presume. My reason for writing you this emergency letter is that I am currently in Africa to visit my ill Sister, am sorry for not informing you before embarking on my journey to Africa it was quiet an argent move i took to Africa because of the news of her illness arrived to me as “EMERGENCY” she is suffering from a critical uterine Fibroid and needs immediate family support to keep her alive, her condition is deteriorating and the doctor told me that she will need to under-go a surgery to keep her alive because her fibroid is getting worse (70 pounds Large) and has done a lot of damages to her abdominal area. They require a deposit of $2500 because they are inviting professional surgeons from Israel to perform the (hysterectomy) operation because it had gotten to a critical stage. That brings me more to why I have written you, I need a financial help of $1400 from you to deposit for her surgery because the cash i traveled wasn’t enough to make the payment asap. I didn’t expect things to be the way it is right now. I really need this money from you soon because I am in a terrible and tight situation here, I have short time to get the money before the surgeons arrive. Even if you can’t afford the whole sum, I will appreciate whatever you are able to come up with because I don’t even know your financial status before asking you for money. I promise to pay you back when I get back.I am desperately waiting to hear from you soon so that I will know what step to take next.
Thanks
Hotmail® goes where you go. On a PC, on the Web, on your phone. See how.

++

Date: Mon, 26 Jan 2009 23:06:00 -0300
Subject: Re: EMMERGENCY
From: nathancmartin@gmail.com
To: ringaling@hotmail.com

Hi Rollin,

I’m really sorry to hear about your sister. I will take all of the money out of my bank account and send it to wherever you want. This will mean that I won’t be able to pay rent next month or buy food, so I hope you don’t mind if I move into your place and eat everything that you have. I’m sure it will be worth it to keep your sister alive.

On another note, I’m trying to fly to Cairo in the spring and am looking at flights right now. Pretty expensive. I found some United flights to London for less than $200, but then the fees and taxes are something like $300. You’ve flown to London quite a bit, right? Know any secrets for cheap airfare?

God be with you and your family in this time of need.

-Nate

++

On Mon, Jan 26, 2009 at 6:46 PM, Rollin Hunt wrote:

Thank you very much for your swift response to my email and also for your great concern to want to help! it goes a long way to show how much you care about me and my family and the good heart you have, you are the best friend one can ever have, a true friend indeed to a friend in need. May our almighty GOD in his infinate mercy and compassion continue to bless you and enrich you with more wherever these help is coming out from. Regarding how to get the money to me pls go to any gross store or shopping mall that operates western union money transfer or a money gramm and request to send the money to the name and address provided below.

Name: daniel jatau
Address: 15 marina hospital
City: surulerel
State: lagos
Country: Nigeria
text question: my colour
text answer: blue

And you will be given a 10 digits mtcn number…..and the amount sent with the senders name.
thanks
rollin

++

[Nate does not respond...]

++

On Wed, Jan 28, 2009 at 4:34 AM, Rollin Hunt wrote:

Gooday nate.
please i write to you concerning the money,please try send it to me so i can deposit it for the surgery,please reply asap

thanks
rollin

++

Date: Wed, 28 Jan 2009 12:19:48 -0300

Subject: Re: EMMERGENCY
From: nathancmartin@gmail.com
To: ringaling@hotmail.com

Yeah, Rollin, jeez, hold on. It’s not like sending money to Africa is absolutely the only gosh darned thing I have to do with my time. Hold the freak on.

-Nate

++

On Wed, Jan 28, 2009 at 11:54 AM, Rollin Hunt wrote:

please help me nate i need ur help, its not like u sending money to me i will pay back i promise you nate, Regarding how to get the money to me pls go to any gross store or shopping mall that operates western union money transfer or a money gramm and request to send the money to the name and address provided below.

Name: daniel jatau
Address: Divine Grace Hospital surulere,
city: Lagos
Country: Nigeria
text question: my colour
text answer: blue

And you will be given a 10 digits mtcn number…..ad the amoutn sent with the senders name.
thanks
rollin

++

Date: Wed, 28 Jan 2009 11:55:42 -0600

Subject: Re: EMMERGENCY
From: nathancmartin@gmail.com
To: ringaling@hotmail.com

You don’t even have a job, Rollin. How could you possibly pay me this money back?

-Nate

++

On Wed, Jan 28, 2009 at 12:01 PM, Rollin Hunt wrote:

i will sell little of my things ok. to pay u back i promise.

++

Date: Wed, 28 Jan 2009 12:02:37 -0600

Subject: Re: EMMERGENCY
From: nathancmartin@gmail.com
To: ringaling@hotmail.com

Like what? You sold your television and stereo the last time you went on a heroin binge. You don’t have anything to sell except that old car.

-Nate

++

On Wed, Jan 28, 2009 at 12:12 PM, Rollin Hunt wrote:

PLEASE NATE DONT MAKE FUNNY OF ME, I NEED UR HELP.

++

Date: Wed, 28 Jan 2009 12:13:41 -0600
Subject: Re: EMMERGENCY
From: nathancmartin@gmail.com
To: ringaling@hotmail.com

I’m not making fun of you. Answer me one question and I will send money: What is the name of your girlfriend?

-Nate

++

On Wed, Jan 28, 2009 at 12:19 PM, Rollin Hunt wrote:

what has my girlfriend got to do about this nate, thanks for everything and ur concern, u have shown me how much u care nate,

++

Date: Wed, 28 Jan 2009 12:20:16 -0600

Subject: Re: EMMERGENCY
From: nathancmartin@gmail.com
To: ringaling@hotmail.com

Sure thing, Rollin. I’m always willing to help out a stranger.

-Nate

++

On Wed, Jan 28, 2009 at 12:24 PM, Rollin Hunt wrote:

i need you now nate.

++

Date: Wed, 28 Jan 2009 12:28:06 -0600

Subject: Re: EMMERGENCY
From: nathancmartin@gmail.com
To: ringaling@hotmail.com

I need you, too.

-Nate

++

On Thu, Jan 29, 2009 at 4:58 AM, Rollin Hunt wrote:

please i write to u concerning the fund u want to send to me for the surgery, please try get whatever u can i really need ur help now,and i promise i will pay u back.
thanks.
rollin

++

Date: Wed, 29 Jan 2009 10:28:06 -0600

Subject: Re: EMMERGENCY
From: nathancmartin@gmail.com
To: ringaling@hotmail.com

I saw Rollin Hunt on the street last night. I asked him how his sister was doing. He said he does not have a sister.

I asked him about the emails he sent me, and apologized for not sending money. He had no idea what I was talking about.

I do not know who you are, where you come from, or how much you really need money, but you will get none from me. I give my money away quite often to those who need it, and to some who don’t but who lie to me and say they do. I have no problem doing either, but since I know absolutely nothing about who you really are except that you stole my friend’s email account and pretended to be him, I will give you nothing except good wishes for the future.

I am not angry at you, nor spiteful. I wish you all the best.

Take care.

-Nate

February 10, 2009

NeverNotWorking Radio Baile Funky

Ugh. I am sick. Sick and tired of gringos stealing all my people’s names to use as their own: Los Angeles, Amarillo, San Antonio, Taco Bell. But seriously though, I’m sick, and am unable to finish the epic blog post I had intended to get up tonight. I’m too weary. Vomiting blood. That sort of thing.

So, instead of finishing my fantastic tale of infiltrating a scientologist compound in Wyoming told in second-person choose-your-own-adventure style, I’m going to kick off an idea I’ve had for awhile but have never put into effect, which is to keep GRATING SPACE fresh by hyping cool things that my friends are doing.

The first instillation of what will probably be a regular component of this here blog deals with my friend Kris in New York and his radio show, NeverNotWorking. An aficionado of myriad musical genres, he and his cohost play rare and mindblowing cuts that span soul, jazz, hip hop, and, on my favorite show of his so far, favela funk straight from the City of God. Favela funk, or baile funk, or funk carioca, is the contemporary native sound coming from the drug-gang-run slums of Rio de Janeiro. It’s a derivative of Miami bass, beat-wise, and its lyrics, while in Portuguese, are often just as explicitly sexual. But like any genre worth its weight in decibels, favela funk emcees and DJs vary dramatically in tone and approach, and some of the best artists currently working in it are those who temper its violent nature with strains of Gil Scott Heron-esque soulfulness. I’ve found lots of people who find favela funk grating, overly aggressive and generally inaccessible on first listen, but the growing handful of us to whom it speaks swears by it.

This episode of NeverNotWorking radio features tracks pulled from dusty shelves in Sao Paulo and Rio record shops, as well as a live in-studio with Brazil’s own MC Zuzuka Poderosa and DJ Supervixen.

Toma, toma t-toma, toma!

January 26, 2009

The sad ignoramuses who fall victim to those audacious enough to act “as if”

From my vantage inside the liberal urban bubble of Chicago it’s tough to find people who are overtly against our new president. Nationwide, 66 percent of Americans polled said they feel optimistic about Obama, and in the golden boy’s adopted hometown that percentage is undoubtedly higher. Within the social circles in which I operate, arguments posed against the politician far more frequently revolve around a sense of disenchantment with American politics in general than any idea that Obama’s opponent would have been a better pick. One group of acquaintances does provide me with reports of such sentiments, however: Friends in my hometown of Rock Springs, Wyo., tell me that anti-Obama attitudes are by far the norm, and that racist rhetoric and actions aimed at him and his supporters are commonplace.

During a visit to Rock Springs last September, I hung out with my good friend Dan, an Obama supporter who builds various apparatuses for an oil field equipment supplier. He said that, to most of his coworkers, the 2008 presidential election was even more of a far-gone conclusion than most in the avidly Republican state, and backed up their staunch stances against Obama with such eloquent arguments as, “Why would I vote for Muslim?” and “Just what we need — a nigger in the White House.” I asked Dan via email the week after the election how his coworkers were taking the results, and he replied, “So if I learned anything new during this election season, it’s that I’m a ‘nigger lover.’ At least that’s what everyone at work calls me. It has actually gotten quite unbearable, and pisses me off considering one of my blood cousins is half black. There’s a lot of people thinking Obama’s election means racism is over. I on the other hand am astonished on how rampant it actually is. Some things will never change.”

Dan rules

I spoke on the phone today with another friend who is a lawyer in Rock Springs, and she told me someone down the street from her put a Confederate flag in their living room window the day after the election, where it will probably remain for the next eight years, or until the people there move.

These things all felt particularly poignant later this afternoon while I was watching Ken Burns’ fantastic documentary about Jack Johnson (the boxer, not the hippie songwriter). One hundred years ago, it was virtually unthinkable that a black man would ever be allowed to hold the title of heavyweight champion of the world. Boxing, along with horse racing and baseball, was one of the most-followed sports in the world at this time. In Jim Crow America and pretty much every other white region of the world, the degree of its popularity roughly coincided with that of the idea that people of African descent were inherently inferior in every way to whites. As Johnson, the son of recently freed slaves, emerged as the premier pugilist of his day by pummeling opponent after opponent regardless of their race, he was denied the opportunity to fight for the heavyweight title by a series of white boxers who said they would never give a black man the chance to obtain it. However, in 1908, then-world-champion Tommy Burns succumbed to public pressure and a lucrative purse and agreed to fight Johnson in Australia. Johnson beat Burns easily, becoming the first black heavyweight champion in history. Two years later, former undefeated heavyweight champion James Jeffries was goaded out of retirement to take the title away from Johnson in order to restore white America’s damaged sense of superiority. “I am going into this fight for the sole purpose of proving that a white man is better than a Negro,” Jeffries said. After fourteen rounds in Reno, Jeffries’ eyes had swollen nearly shut, his broken nose has spilled blood all down his front, and he had been knocked down twice. His corner threw in the towel, acknowledging that Johnson had won. Over the next few days race riots tore most major American cities apart.

Jack Johnson was a champion character aside from his skills in the ring. He held a patent for a wrench he invented to help him work on the fast cars he loved to drive, he played the bass cello, read voraciously, and attracted scores of ladies — many of them white — in an age when white mobs lynched black men with startling frequency for nothing more than a glance at a white female. When a white man asked Johnson, as an expert on the subject, why he thought white ladies were so often attracted to black men, Johnson, with a straight face, replied quite perfectly: “Because we eat cold eel, and think distant thoughts.”

On other more serious topics, Johnson was equally on point. One oft-cited quote attributed to him is this: “White people often point to the writings of Booker T. Washington [who argued that blacks should work within the framework of 'separate but equal' until an opportune moment came when they could demand better] as the best example of a desirable attitude on the part of the colored population. I have never been able to agree with the point of view of Washington, because he has to my mind not been altogether frank in the statement of the problems or courageous in his solution to them … I have found no better way of avoiding race prejudice than to act with people of other races as if prejudice did not exist.” [emphasis added]

I have always been a strong advocate of willing your desires into existence. Many of my successes in life have begun with an element of arrogance — or “audacity,” as some would put it — which I carried with me into tasks I was entirely unqualified to undertake, but that I completed with bravado regardless. Uncountable failures stem directly from underconfidence. By pretending an unappealing situation does not exist, we condition those who constitute it to accept the change we wish to create.

Christopher Hitchens discusses this idea in his book Letters to a Young Contrarian. He writes:

“In the fairly long interval between 1968 and 1989 — in other words in that period where many of the revolutionaries against consumer capitalism metamorphosed into ‘civil society’ human-rights activists — there were considerable interludes of quietism and stasis. And it was in order to survive those years of stalemate and realpolitik that a number of important dissidents evolved a strategy for survival. In a phrase, they decided to live ‘as if.’ [Note Johnson's use of this exact phrasing in his statement about Washington.]

“I’m never certain which author can claim the credit for this mild-sounding but actually deeply subversive and ironic decision. Vaclav Havel, then working as a marginal playwright and poet in a society and state that truly merited the title of Absurd, realised that ‘resistance’ in its original insurgent and militant sense was impossible in the Central Europe of the day. He therefore proposed living ‘as if’ he were a citizen of a free society, ‘as if’ lying and cowardice were not mandatory patriotic duties, ‘as if’ his government had actually signed (which it actually had) the various treaties and agreements that enshrine universal human rights. He called this tactic ‘The Power of the Powerless’ because, even when disagreement can be almost forbidden, a state that insists on actually compelling assent can be relatively easily made to look stupid.

“One could add further examples. In the late Victorian period, Oscar Wilde — master of the pose but not a mere poseur — decided to live ‘as if’ moral hypocrisy were not regnant. In the Deep South in the early 1960s, Rosa Parks decided to act ‘as if’ a hardworking black woman could sit down on a bus at the end of the day’s labor. In Moscow in the 1970s, Aleksandr Solzhenitsyn resolved to write ‘as if’ an individual scholar could investigate the history of his own country, and publish his findings. They all, by behaving literally, acted ironically. In each case, as we know now, the authorities were forced first to act crassly and then to look crass, and eventually to fall victim to stern verdicts from posterity.

“All I can recommend, therefore, (apart from the study of these and other good examples) is that you try to cultivate some of this attitude. In an average day, you may well be confronted with some species of bullying or bigotry, or some ill-phrased appeal to the general will, or some petty abuse of authority. If you have a political loyalty, you may be offered a shady reason for agreeing to a lie or a half-truth that serves some short-term purpose. Everybody devises tactics for getting through such moments; try behaving ‘as if’ they need not be tolerated and are not inevitable.”

January 24, 2009

This is your face on video games

January 18, 2009

Shame on the macho men

I was at the Empty Bottle the other night with some friends when I found two of them embroiled in a losing game of pool against two meatheads — real Anglo-Saxons, one with a shaved head and the other with tattoos on his neck. The apes were beating my friends pretty badly and getting excited about it. After the game the Alpha Anglo started hassling my friends about playing another game for twenty bucks. He had bulging eyes and thick veins running up his neck. His arms were muscled and sinewy and hairless. I told my friend to take the bet, but with me as his partner. The ape said something about how if I was some sort of shark he would beat us up with his pool cue in the parking lot after we left the bar.

I found myself delighted when our competitor came back just before his break and said that his girlfriend had mandated that we lower the bet to ten bucks — I gathered she was bankrolling his wager. I had seen them conferring moments earlier and imagined their conversation being something along the lines of, “Babe, you know I’ll beat these pussies.”

The Alpha man broke and didn’t make anything. I ran five balls and then sewed up Alpha’s partner with a savvy safety shot. The partner still managed to make three balls before my partner knocked our last two in, and then the eightball. The game was short and sweet and devastating to the egos of our testosteroney victims. The lead Mongoloid clapped ten bucks into my hand with a frown and a mumble, and my friend and I relished breaking into the circle of wound licking that the two players and their girlfriends had made so we could shake their hands under the pretense of good sportsmanship. The girlfriend of the lead male was scowling at her mate. The moron had lost her ten bucks and looked like a loser. He was thoroughly shamed. He was an asshole, and probably will be his entire life. He was cocky and macho and not smart, and it was a pleasure to make him look like a pitiful ass in front of the girl he wanted to impress.

I love making people who threaten me with physical violence look like idiots in front of their girlfriends. It’s a much-preferable retaliatory method than actually punching back.

For some reason these sorts of things happen often around pool tables, where I spend quite a bit of time. Another instance along the same lines happened in Lawrence, Kan., a couple of years ago, and also involved a tough guy trying to look hot for his lady, who undoubtedly let him sleep alone that night.

I was making my rounds around an eight-ball game against my friend Tom, who was at the front of the bar buying some beers, when I heard from a booth near the end of the pool table, “Hey, nice fucking shirt!” The guy was staring at me. I looked down at my relatively tight and high-necked all-over-print t-shirt featuring San Francisco landmarks, looked back at him, and said thanks. I really did think it was a nice shirt. Still do. I continued shooting pool, then the guy said, louder, “Nice shirt you fucking faggot!” making sure I knew for certain he was not complimenting me.

Okay, here we go.

I stood in front of the booth in which the yelling dude had sat with a girl next to him and a guy and a girl across. Yelling dude rose, stood a few inches from my face, attempted to establish whether or not I had a problem with him (although I was sure we were past that mattering at this point, as I explained to him), and he went on to air his grievance: that I, in the process of leaning down to shoot a pool ball into a pocket, had stuck my ass in his face right in front of his girlfriend.

Ah, the girlfriend ticket. She was sitting with a facade of nonchalance in the booth, looking nice and mediocre. I started making sarcastic remarks to the man seething in front of me. His friend was just over his shoulder, ready to pummel my face, and just as the situation was about to explode into sloppy, drunken violence, my friend Tom walked up and smashed a full glass bottle of beer on the edge of the booth table.

This may sound crazy or irrational — the act of smashing a glass bottle — but it was actually the most perfect action anyone could have taken in this situation. No one who really wants to stab a person with a jagged stump of bottle breaks that bottle on a table. If someone is really up to stabbing, they break the bottle first on their adversary’s head, then commence thrusting whatever’s left into their skin. Breaking a bottle on a table is a threat — but a pretty tame one. It’s meant to diffuse a situation — to let the people involved know that things could get very serious momentarily, and that they should consider the far-too-infrequently-considered-in-drunken-bar-situations option of thinking before they act. Did this guy really want to fight me because I stuck my ass in his face on accident? Probably not, but he was going to do it anyway, until Tom smashed a bottle and made things potentially consequential.

After the bottle broke, the guy standing in front of me — whose gaze formerly purveyed totally concentrated, manly aggression — assumed a much more hesitant continence. Beer from the bottle had splashed all over his girlfriend — admittedly an unfortunate case of collateral damage — and she said something about glass in her eye, which apparently was not that serious because she was fine, albeit shocked, moments later. The attention of the entire bar turned toward us. Tom dropped the bottle stump, I stood my ground, and the bar’s security goons descended to separate the involved parties. I explained to them my side of the story, in which I was a victim of jockish antagonization, and they ushered the two aggressors out the back door, their ladies in tow. Tom and I were instructed to finish the unbroken bottle of beer and leave quietly out the front.

The guy who had tried to fight me was a buffoon. I am dismayed that his girlfriend was covered in beer and may or may not have gotten a shard of bottle in her eye. But, in the end, it probably taught her a lesson: Don’t continue to date the moron who caused this situation in the first place. As Tom and I ambled on to our next destination, gleeful from our victory over a stupid ass and energetic from the excitement, I could only imagine the defeated tough guy stomping down the alley home, ignoring his irate girlfriend’s repeated admonishment: “What the fuck were you thinking?”

January 9, 2009

Nami Mun

An article that resulted from an interview with Nami Mun and the reading of her book, Miles From Nowhere. This originally appeared in Time Out Chicago

Nami Mun admits she isn’t a natural writer. She says telling the story of Joon, the teenage runaway at the center of her debut novel, Miles From Nowhere, was something she felt she simply had to do. Writing was a slow, meticulous process, during which she became intimately acquainted with the young cast-outs, queers and addicts who populate her book. Each character is the result of a determined and imaginative effort that, if somewhat involuntary, was personal and organic, as if they sprung from her own life.

Miles From Nowhere follows 13-year-old Joon from a broken home in the Bronx out into the jungle of pre-Giuliani New York. When the transition to life in the States cripples her Korean-immigrant parents’ marriage, Joon abandons them for days of danger and escapades among her new homeless peers. She dabbles in prostitution, falls in love repeatedly, obtains and loses a string of odd jobs, and swims through a flood of drugs.

In conversation, Mun cannot stress enough that she thinks her book is hopeful, despite its rapes, abortions and depravities. The optimism she maintains shines out from the text in both quick flashes and prolonged, subtle glows. Mun says this effect springs from the research of marginalized people she conducted after she wrote the story’s first draft.

“I’d watch documentaries or I’d read letters that teenage runaways would write to their parents—these little tiny artifacts,” says Mun, who now teaches creative writing at Columbia College Chicago. “And what I got from them is this sort of tone, where it wasn’t all just harsh realities and cruel and painful existence—there’s some really funny, weird, magical things that can happen when you’re living in the margins.”

Mun, who was a teenage runaway in New York herself, adamantly denies that the episodes in Miles From Nowhere reflect her actual past. Her memories served as entry points, she says—“some detail or setting I had experienced myself, something about the carpet or the lighting”—and from there she followed her imagination. She summons Rainer Maria Rilke’s credo to explain her impulse: “A work of art is good if it has sprung from necessity.”

Maybe more than a writer, Mun admits, she’s a reviser. While other authors may enjoy the initial creative burst, she relishes the trimming and reworking of words.

“I used to think it was this writerly thing,” she says, “but it turns out that your brain secretes some chemical when you finish a task, and it makes you feel good. So I think it’s actually just physiological. With the revision process, I swear that every time I take a word out, that chemical gets secreted. I’m like, ‘Yes! That is the sentence I wanted!’ ”

Her attention to detail pays off. The sound and rhythm of her sentences enable her to convey the deadpan of a jaded teen in a terrifying world with understated poeticism: “One time I rode on a bus that ran a red light and crashed into a family wagon, killing the baby in the backseat.” Sometimes, her language is just plain lovely: “It was sunny and raining. Blades of white light cut through the clouds and shined on the glassy tubes of rain as they streaked the air and tapped my jean jacket.”

Mun says she never meant to be a writer. But as the short stories she jotted down—while working odd jobs—began to coalesce into what she thought were worthwhile pieces, she shopped them around to literary journals. One of these was the Evergreen Review, whose editor, Barney Rosset of Grove Press fame, published her first story and encouraged her to continue.

An M.F.A. from the University of Michigan and a handful of awards later, Mun is a writer, whether she meant to be or not.

January 1, 2009

La apertura goreteña

The Goreteños Invade Chicago art show is up now at the Metal Shaker, and will stay that way until Jan. 19. Some of the pieces may be taken down on nights when Ronato, the guy who books bands at the bar and who helped us arrange the show, isn’t there. Ronato doesn’t trust some of the bartenders who work at the Metal Shaker because he had a wicked Halloween poster hung up on the wall and someone stole it, presumably with the help (or at least ignorant inattentiveness) of the bar’s employees. We nailed to the wall all the pieces that are in wooden frames, so those will be up for the duration, as will the ones that are behind the bar, but the others may be taken down on nights when there aren’t shows. I just got back to Chicago from a trip out West for the holidays (stay tuned for details about my infiltration of a Scientologist storage facility construction site), so I haven’t checked in on the show since its opening, which took place on Dec. 19 (photos below). I got a new camera for xmas and plan to post some better pictures of the art soon.

LA APERTURA

It’s Miller time:

de Agustin (arriba) y Putrid:

dos de Agustin:

de Piraña (arriba) y Putrid:

dos de Putrid:

dos de Diente (arriba y la izquierda) con Piraña abajo:

La grande de Piraña, con Agustin, Piraña y Diente al lados:

PUNKS AND DRUNKS:

the inimitable Mr. Masterson: